Living in Melbourne, it’s hard not to love street art. We have such great galleries around the city, including Hosier Lane in the city centre, but stretching out to Fitzroy, Collingwood and neighbouring suburbs, where the local councils have encouraged a culture of street art, you can spy fabulous, big-scale murals across entire buildings.
One of the city’s best-known artists, Matt Adnate, has taken it one step further with his mega-murals down laneways and up high-rise buildings. So it’s great to see he’s become the newest face of the Art Series hotels, who dedicate each of its hotels to a singular artist.
The Adnate opened in Perth last week, and it’s a traffic-stopper, with a 25-storey mural on the hotel’s exterior, the largest mural in the southern hemisphere.
You can read more about it here, in my article for the Traveller section in the Sydney Morning Herald and The Age newspapers.
Recently, I completed an epic trek from Cusco, near Macchu Pichu in Peru, to Cairo, Egypt.
Let me tell you, it took some serious, late-night internet hunting! I could have travelled via Sao Paulo, (Brazil) then across to Casablanca (Morocco) and on to Egypt, or from Sao Paulo via a 12-hour layover in Addas Ababa (Ethiopia) and on to Cairo. In the end, the best connections were flying from Lima (Peru) up to Madrid (with three hours cooling my heels in a secondary airport in Ecuador) with LATAM and from Madrid on to Cairo with Egyptair.
This is my review of the Egyptair flight – I’ve flown many times domestically and internationally with the national carrier – on the Madrid-Cairo route, a direct flight of 4 hours 40 minutes.
I’m going to paste my favourite para here, about the food on board:
Chicken or the beef? The beef arrives cubed in a sauce with spiral pasta, and is surprisingly comforting. It’s accompanied by a dried, tired salad, crackers, chocolate cake, a wholemeal dinner role, butter and a triangle of La vache qui rit (The Laughing Cow, incidentally, is the nickname of Egypt’s deposed military dictator, Hosny Mubarak). Because you needed to know that last fact : )
Published in the Sydney Morning Herald and The Age‘s Traveller section, you can read the full review here.
It’s been a big week on the Great Barrier Reef, with the launch of the world’s first ridesharing submarine, appropriately named scUber.
Uber has teamed up with a baby sub named Barry, for a month of dives to explore the Great Barrier Reef – currently hovering around Heron Island, off Gladstone, it moves up to Cairns this coming week.
Fancy a seat? They’re $1500 a pop, book on the app.
If you think it’s just a publicity stunt, you’re right. Queensland’s tourism board has teamed up with Uber to highlight the health of the reef, to encourage people to come and see it for themselves. Hopefully, they’ll learn to love our marine icon – the world’s largest living thing – and therefore help protect it.
You can read more in my news story for the Sydney Morning Herald’s/The Age Traveller section, there’s even a competition to win a seat on the mini submarine. Click here to check it out.
A long weekend on Victoria’s Great Ocean Drive – it’s the stuff of nightmares.
One of Australia’s most popular sightseeing drives, the drawcards are the 12 Apostles (but we all know that there are heaps less – or more? – of these famed sea stacks. I managed to evade the crowds and find my own piece of peace by continuing an hour past the tourist hubs to the prettiest town around, Port Fairy.
The destination? Drift House, which is almost more famous overseas than here in Australia for its four perfect suites, and perfectly pitched service from its owners, Colleen Guiney and John Watkinson.
Now, the Edwardian cottage next door has been transformed to add two new, equally fresh suites to the best address in town. Read my short story, which appeared in my weekly column in the Sunday Age and Sun-Herald newspapers, and online at Traveller.
I love a good ‘how to pack’ story, I really do. I love those one-pagers in glossy magazines that have a shirt, hat, watch, book and other pieces of travel euphemia scattered about the page, organised into geographic locations:
waterproof pants and binoculars for Antarctica.
Foldable sun hat and cats-eye sunglasses for southern Italy.
Cigarette pants, black loafers and reusable coffee cup for Melbourne.
They may be cliched, but for me, they encapsulate a destination.
I chatted to uber-packer Cathy Perry, who tells me you really can pack for two weeks with just hand luggage (ok, maybe not for Antarctica). She talks up the trans-seasonal trench coat, the joy of pairing fashion runners with dresses and the rules on getting organised.
Check out my interview with Cathy, which was published in the Sydney Morning Herald and The Sunday Age’s Traveller section.
Recently, I interviewed artist and teacher Nyunmiti Burton. She is based in Tjala Arts in the Anangu Pitjantjatjara Yankunytjatjara (APY) Lands, in far northern South Australia. What was striking was that the interview was conducted in English and Pitjantjatjara, the most commonly spoken of Australia’s few surviving indigenous languages. Our translator, Skye O’Meara, is the general manager of Sydney’s APY Art Centre Collective.
In the conversation, Skye and Nyunmiti pointed out that we know more about where our coffee and eggs come from than our Aboriginal art. Ethically produced art means the artist being paid appropriately, being created in a safe environment and sold by a business that has full financial transparency.
To read more about buying Central and Western Desert art, you can read my column in the Sydney Morning Herald and The Age’s Traveller section. Click here, and thanks for reading.
For more links:
See desart.com.au the peak body for more than 40 such art centres in Central Australia.
See tjalaarts.com.au Tjalaa Arts art centre in Amata, SA
See apyartcentrecollective.com APY Art centres