|Bathurst Island Lodge.
Photo: Belinda Jackson
Crocodiles and canvas make for a potent mix in the Tiwi Islands.
The speed boat tears down the broad
brown river, and I feel 1000 non-human eyes watching us from the
primordial mangrove-lined banks.
“Can you smell the flying fox?”
asks Kathy. It’s the first time I’ve been asked the question, and it
distracts me from the earlier statement that a sneaky, opportunistic
little croc lurks around the boat ramp where we boarded.
Thick and shining, the river cuts
deep into Bathurst Island. Together with its much larger neighbour,
Melville Island, and nine little uninhabited islands to the south, they
make up the Tiwi Islands 15-minute flight or 2 1/2-hour cruise north of
Darwin. Once, they were part of the landbridge that linked us to the
super-continent, Gondwanaland. Now, they’re broken and fragmented: a
giant’s lonely, lovely footprint in the Timor Sea.
|Melville Island airport.
Photo: Belinda Jackson
The Tiwis are but a blip on the
tourism radar. Until now, barramundi hunters and football selectors have
been pretty hushhush about their fertile hunting grounds, but a new
culture tour has lured our party of five onto the islands. We fly over
from Darwin in a Cessna 402C: the plane is so small that we all get a
window seat, and you can count the number of seats on two hands, pilot
From above, the land is low, flat
and surprisingly large; Melville is our largest island after Tasmania.
The airport, however, is not large. But the first thing I see is a sign
that the Essendon Football Club proudly supports the Tiwi Bombers. It’s
unsurprising, given Kathy’s brother, Michael Long, is a Bombers’ legend,
while her son, Cyril Rioli, is a Hawthorn midfielder.
The second most striking feature of
the airport is the small concrete block that is the main building.
Actually, it’s the only building. It is painted in wildly beautiful
yellow, black and red Indigenous designs that sets the tone for the next
few days: the Tiwi art scene is strong and all pervasive. The whole
about the size of a small public
loo. No ticket collectors, no customs officials, no taxi stand. Just the
humidity and silence, broken only by the arrival of our minibus and the
departure of our plane. Welcome!
Art is everywhere, on the public
building walls and in the burial grounds, where carved ironwood totems
hold the spirits of those who have died.
Traditional art is even worn in
the supermarket, where the older Tiwi women sport rainbow-bright prints
designed and woven by the town’s “spiderwomen”, a dwindling number of
weavers and printers who now find themselves head-tohead with cheap
|Woodcarver and artist Mario Munkara,
Photo: Belinda Jackson
A quick drive through the town of
Wurrumiyanga (called Nguiu until 2010) reveals an orderly society.
There’s Meals on Wheels, a small hospital, Asian takeaway, school and
the social club, where all the island gossip is exchanged and the only
public place you can buy a drink. There’s a pool for croc-free swimming,
opened by Olympic swimmer Leisel Jones and her mum, a church and
Ngaruwanajirri, the Keeping House, a “bush cathedral” with a curved
ceiling covered in a glorious riot of the Tiwis’ distinctive,
geometric mulypinyini pwanga (lines and dots).
This art hub is where disabled
artists meet to sculpt, paint, print and sell their wares: carvings,
batik silk scarves, lino block prints
and paintings using natural ochres.
This morning, a group of men sit outside, carving elegant, long-necked
birds from dense ironwood which they’ll then paint and sell to keep the
place going, essential now its limited funding has been cut.
“We started this program 20 years
ago, but we’ve been unfunded the last three years, so I’m now a
volunteer,” says John Naden, a former art teacher who runs The Keeping
House with his wife Joy,
also a dedicated teacher. There’s a
small display room and the art is priced cheaply to keep it turning over
and to keep the artists busy. After all, who wants to be a starving
artist, recognised only in death? The prized artworks are sent out to be
celebrated across Australia and abroad.
Nearby, the town’s art stalwart,
Tiwi Designs, is now in its fourth decade. When we enter, we’re ushered
past racks of painted canvases and stacks of sculptured birds, past the
silk printing tables and woven baskets, and out the back to a small
fire, which is smoking with green eucalyptus leaves.
“Obviously, you ladies are from the
mainland. We don’t know what spirits you bring,” explains Vivian
Warlapinni Kerinauia delicately, waving thick smoke over us with a leafy
branch. A group of men and women dance around the smoking fire, telling
of their totems or dreaming group of crocodile, shark, warship, turtle
or buffalo. The men jump and twist, the women are more subtle, elderly
hands graceful and evocative.
“Now you have a good spirit,” says Vivian. “It will guide you, give you an open mind.”
|Artist Alan John Kerinaiua at Tiwi Designs Photo: Belinda Jackson|
After we are cleansed by smoke, the
artists return to their tasks. Shy and calm, Alan John Kerinaiua sits
back down by his large canvas and picks up his fine brushes, his plastic
pots the trinity of the Tiwi palette – red, white and yellow ochre
mixed with PVC glue, a fixer for flexibility and longevity.
The tour’s pace is slow, there is no
dashing in and out. We drink tea and eat hot, fresh damper, graze from
spectacular lunch boxes, chat with the artists and watch Tiwi Designs
manager Steve Anderson and gentle Vivian handprint a
spectacular, nine-metre fall of gold
silk for a Byron Bay client. After lunch, it’s our turn, and Vivian and
I imprint a drop of red cotton with a beautiful print by senior artist
Jock Puautjimi. It’s my souvenir, it’s my new heartthrob.
There’s plenty to love: Tiwi art is an absolute crowd pleaser, whether you like wood carvings, sculpture, hand-printed fabric,
ochre and acrylic on canvas, or
tunga, delicately woven bark baskets. Pinned up on the walls are photos
of famous admirers of Tiwi style, including Whoopi Goldberg and Boy
George, while the art world’s admirers include the British Museum, which
hangs several of its most celebrated artists, such as Jean Baptiste
Apuatimi, who worked here for many years before she died in 2013.
It’s another short plane hop to the
larger Melville Island, and once again, the Tiwis’ inherent artistic
nature greets you at another extremely modest airport.
|Photo: Belinda Jackson|
The men’s and women’s loos are
hand-painted in the local style:
ladies with their dilly bags, men with their spears. At Jilamara Arts
& Craft Association in Milikapiti, the happiest man on Melville
Island, Brian Farmer, endures and answers our questions with a massive
smile through his grey beard, felt cowboy hat stuffed firmly on his
“Every artist tells a story passed on by our forefathers,” he
says. ‘‘Their country, the stars, the universe … You know the stars
guide us when we’re in the dugout canoe. We follow them back to our
campsites. It’s all written there,” says Brian, who also runs a weekly
school program about the dreaming, passing it on to
the local schoolchildren.
“If you lose that, you lose your identity,” he says.
The light, airy gallery is full of
weavings and bark paintings, canvases including one of the Tiwis’ best
known artists, Kitty Kantilla (Kutuwalumi Purawarrumpatu). Each work is
stamped with the artist’s name, their skin and their dance – where they
fit in close-knit society. For every item of artwork sold at the Tiwis’
art centres, the bulk of the money is returned to the artist and the
remainder is put back into the operations of the Tiwi Art Network.
Over lunch at the nearby Melville Island Fishing Lodge, there are croc jokes a-plenty. A
Johnny Horton fan in Milikapiti has
named a local croc Bismarck, and Bismarck is ‘‘into dog control’’.
are plans to launch a new tour that takes you to the islands’
freshwater pools (where you can definitely swim without crocs) or a spot
of spear fishing (where you’ve got to be ‘‘cautious,’’ says local
master of the understatement, Junior Guy). The big fellas are respected
for their cunning and their sheer power.
On the journey home, I unwrap my
printed fabric from Tiwi Designs and a card falls into my lap. It is a
stencil of a crocodile. Simple, sparse lines convey his lethal, sinuous
curve. In both nature and danger, there is beauty.
The art is in capturing it.
FIVE OTHER ABORIGINAL ART TOURS
1 ROCK ART Kakadu-born
Sab Lord and his knowledgeable indigenous team take you into Gunbalaya,
Arnhem Land, to view its ancient rock art at Injalak Hill and the
rich Injalak Arts & Crafts centre. Day tours from Darwin cost $270
adults, $195 children, (08) 8948 2200, lords-safaris.com.
2 SOUTHERN WONDER Guests
staying at Longitude 131, overlooking Uluru, can take a rare, exclusive
Ernabella Arts Tour into the APY lands of northern South Australia. The
full-day tour costs $1000 per person, maximum 4 guests, (02) 9918 4355,
3 GO BUSH NSW’s Kur-ring-gai
Chase National Park has more than 1000 Aboriginal Heritage sites. Visit
them by land and water, with a 2.5 scenic cruise, a Welcome to Country
ceremony and bush-tucker inspired lunch, $199 adults, $149 children,
(02) 9099 4249, sydneyoutback.com.au.
4 GALLERY OF STARS View
magnificent rock art galleries on tiny islands off the Kimberley
coastline on the Kimberley Ultimate tour on the luxury True North
cruise, from $17,995, (08) 91921 829, northstarcruises.com.au.
5 BARK ART Journey
deep into Maningrida, in Arnhem Land, to see woven sculpture, painted
hollow logs and bark paintings. Costs from $789 a person, based on 4
sharing, including flight from Darwin, (08) 8985 3266, artconnections.com.au.
MORE INFORMATION travelnt.com
GETTING AROUND The
three-day Ultimate Tiwi Island Tour runs until 11 September 2015. Costs
from $2425 a person, including SeaLink ferry transfers or flights from
Darwin, scenic flight to Melville Island, accommodation, meals and
non-alcoholic beverages and all tour activities (art workshop with local
artists, walking tour, wilderness adventure cruise, fishing options,
turtle tour, and a museum and art centre tour). A three night/four day
Tiwi Island tour costs from $3225 per person. Day trips to the island
run Thursdays and Fridays until December 1, cost $319, Phone 1300 130
679; see sealinknt.com.au.
VISITING ART CENTRES Jilamara
Arts & Crafts Association is in Milikapiti, Melville Island, see
jilamara.com. Tiwi Designs is in Wurrimiyanga, Bathurst Island, see tiwidesigns.com, a short distance from Ngaruwanajirri (‘helping one
another’) at The Keeping House.
Belinda Jackson was a guest of Sealink NT and Northern Territory Tourism.
This feature was published in Sydney’s Sun-Herald newspaper’s Traveller section.