Down the bottom of Chile, looking south toward Antarctica, Punta Arenas is at the confluence of the Atlantic and the Pacific Oceans, and has a subpolar, oceanic climate. Its average daytime temperature is 15 degrees and the surrounding ocean water is typically 2 degrees: no wonder no-one is swimming.
It’s the jumping off point north to the popular Patagonian adventures in Torres del Paine National Park and south to the Antarctic peninsula.
Thanks to our fabulous guide with Quasar Expeditions, we managed briefly to slip under the skin of this frontier town – where puffer jackets dominate the fashion scene, guanaco is on the menu, the waterfront wharves are covered in murals and the houses are painted bright pinks and yellows to counteract the heavy, grey skies.
Living in Melbourne, it’s hard not to love street art. We have such great galleries around the city, including Hosier Lane in the city centre, but stretching out to Fitzroy, Collingwood and neighbouring suburbs, where the local councils have encouraged a culture of street art, you can spy fabulous, big-scale murals across entire buildings.
One of the city’s best-known artists, Matt Adnate, has taken it one step further with his mega-murals down laneways and up high-rise buildings. So it’s great to see he’s become the newest face of the Art Series hotels, who dedicate each of its hotels to a singular artist.
The Adnate opened in Perth last week, and it’s a traffic-stopper, with a 25-storey mural on the hotel’s exterior, the largest mural in the southern hemisphere.
Recently, I interviewed artist and teacher Nyunmiti Burton. She is based in Tjala Arts in the Anangu Pitjantjatjara Yankunytjatjara (APY) Lands, in far northern South Australia. What was striking was that the interview was conducted in English and Pitjantjatjara, the most commonly spoken of Australia’s few surviving indigenous languages. Our translator, Skye O’Meara, is the general manager of Sydney’s APY Art Centre Collective.
In the conversation, Skye and Nyunmiti pointed out that we know more about where our coffee and eggs come from than our Aboriginal art. Ethically produced art means the artist being paid appropriately, being created in a safe environment and sold by a business that has full financial transparency.
For more links:
See desart.com.au the peak body for more than 40 such art centres in Central Australia.
See tjalaarts.com.au Tjalaa Arts art centre in Amata, SA
See apyartcentrecollective.com APY Art centres
|Photo courtesy of Henry Jones Art Hotel|
Back in the mists of time, nobody used to admit they were from Tassie, the heart-shaped island state of Australia. If you escaped from Tasmania, you rebranded and moved on.
Now, it’s deeply fashionable to be from somewhere other than Melbourne or Sydney, and Tassie is as hot as it gets, with a bumper food scene, fabulous scenery and its Henry Jones Art Hotel, which claims is position as Australia’s first art hotel.
I popped down just as winter was kicking in – a little too early to catch snow on kunanyi / Mount Wellington – but with a wind imported directly from Antarctica, which howled down the wharves, sending shutters shuddering and reminding me, in the dead of the night, of the myth and graves on which this island is founded.
You can read my review of the recently renovated Henry Jones, which was published in the Sydney Morning Herald and The Age newspapers here .
Lined with palaces, mosques, merchant’s mansions and markets, Cairo’s Al-Muizz is a contender for the Middle East’s most beautiful street.
It’s the ancient thoroughfare of medieval Cairo, the lifeblood of a dozen centuries: every time I return to Cairo, I find myself walking the length of Al-Muizz li-Din-Allah. Like most before me, I’m lured by the street’s imposing palaces and caravanserais, its dusty mosques and vivid markets.
I’ve walked this street countless times over a decade, and each time, I make a new discovery. A forgotten tomb. A synagogue. Cool, dark water cisterns that plunge deep underground or a merchants’ mansion, instructive in the ways of generations of traders, aristocrats, craftsmen and families who filled the streets of Islamic Cairo when it was established by the Shi’ite Fatamid regime in 969AD.
In case you haven’t twigged, Egypt is back on the tourism trail after seven years languishing in the doldrums after its revolution in 2011, which overthrew dictator Hosni Mubarak, who’d run the country as his personal fiefdom for 30 years. They’ve now got another army brass running the country – plus ça change, plus c’est la même.
|Cairo’s Citadel, which overlooks the city. Photo: Belle Jackson|
But finally, with stability and growth taking place around the country (think, highways remade, new airports open, Nile cruise boats dusted off), it’s fabulous to see the return of one of Egypt’s major industries.
Cairo often gets but a cursory glance while everyone rushes to the Pyramids then down to Luxor, but spend the turn of the day in El Muizz for what I think is one of the world’s most beautiful streets.
Thanks to Vacations & Travel for again going ahead of the trend and publishing my feature on this beloved street.
I’ve been on the hunt for Aussie expats around the world to share
tips from their adopted home towns for a column in Sydney’s Sun-Herald
and Melbourne’s Sunday Age.
Melburnian Chris Chun is a fantastic artist and illustrator living in
Chiang Mai, in Thailand’s north, so I tapped him for some great places
to eat, drink, see and what to avoid (He says: “keep your shirt on,
You can see Chris’ beautiful work here.